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Celtic Art: The Methods of Construction (Dover Art Instruction), by George Bain
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The construction principles of Celtic art were re-discovered in the middle of the 20th century by George Bain. Until his writing, the intricate knots, interlacings, and spirals used in illuminating The Book of Kells and in decorating craftwork and jewelry seemed almost impossible, "the work of angels." In this pioneering work, George Bain shows how simple principles, no more difficult than those used in needlecraft, were used to create some of the finest artistic works ever seen. He also explains how you can use these principles in re-creating artifacts and in creating your own Celtic designs for art and craft work or even for recreational use.
Step-by-step procedures carefully introduce the simple rules and methods of Celtic knot work and the well-known designs from the great manuscripts and stone work. Later chapters build up to complex knot work, spiral work, and key pattern designs, with special coverage of alphabets and the stylized use of animals, humans, and plants. Altogether over 225 different patterns are presented for your use, with hundreds of modification suggestions, 110 historical and modern artifacts showing designs in use, a great number of letters including six complete alphabets and 25 decorative initials, and a number of animal and human figures used in the original Celtic works.
Artists, students, craftspeople, even children can work with these patterns and instructions for creating dynamic designs for use in leather work, in embroidery and other needle work, in metalwork, jewelry making, card design, borders, panels, illuminations, and in countless other ways. Mathematicians will find a great deal of pleasure in the geometric principles on which the patterns are based. Art historians and others interested in studying Celtic art will find a great number of outstanding art works and the best presentation in English for understanding Celtic design.
- Sales Rank: #106336 in Books
- Published on: 1973-06-01
- Released on: 1973-06-01
- Original language: English
- Number of items: 1
- Dimensions: 11.75" h x 9.00" w x .25" l, 1.14 pounds
- Binding: Paperback
- 160 pages
From the Back Cover
The construction principles of Celtic art were re-discovered in the middle of the 20th century by George Bain. Until his writing, the intricate knots, interlacings, and spirals used in illuminating The Book of Kells and in decorating craftwork and jewelry seemed almost impossible, "the work of angels." In this pioneering work, George Bain shows how simple principles, no more difficult than those used in needlecraft, were used to create some of the finest artistic works ever seen. He also explains how you can use these principles in re-creating artifacts and in creating your own Celtic designs for art and craft work or even for recreational use.
Step-by-step procedures carefully introduce the simple rules and methods of Celtic knot work and the well-known designs from the great manuscripts and stone work. Later chapters build up to complex knot work, spiral work, and key pattern designs, with special coverage of alphabets and the stylized use of animals, humans, and plants. Altogether over 225 different patterns are presented for your use, with hundreds of modification suggestions, 110 historical and modern artifacts showing designs in use, a great number of letters including six complete alphabets and 25 decorative initials, and a number of animal and human figures used in the original Celtic works.
Artists, students, craftspeople, even children can work with these patterns and instructions for creating dynamic designs for use in leather work, in embroidery and other needle work, in metalwork, jewelry making, card design, borders, panels, illuminations, and in countless other ways. Mathematicians will find a great deal of pleasure in the geometric principles on which the patterns are based. Art historians and others interested in studying Celtic art will find a great number of outstanding art works and the best presentation in English for understanding Celtic design.
About the Author
George Bain clearly demonstrated in his classrooms, to judge from pupils' work here illustrated, hat through practice and application in his methods of constructing decoration, anyone with the initial interest can release this innate interest to beautiful and mark out the impress of their individuality that has been a quality in man since the Neolithic times of the cave artist and still finds expression through the subconscious outlines of the phone-pad doodler.
Most helpful customer reviews
112 of 117 people found the following review helpful.
Indispensible, undecipherable?
By Kindle Customer
Among those in my acquaintance who are fond of Celtic art, George Bain's Celtic Art is the one which most buy first. I did. Then I read it and found that some of his instructions (particularly for creating knotwork) seem totally off-the-wall and totally indecipherable. However, for some reason, he seemed to be the only one who has ever come up with a way to recreate impossibly complex knotwork panels, and do more than just plain fretted knotwork. Fear not, Dear Reader! If you follow his instructions, practice the designs as he shows them, you will ultimately discover what he is trying to say. And when you do, the entire world of complex, bewildering and magical knotwork will open up to you.
However, knotwork is not the only type of art that Bain covers in this book. He also analyzes fretwork (mazes), spirals and zoomorphic forms (animal and human forms which can sometimes even be interlaced), as well. These, comprise the entire corpus of form used in the great books of Celtic and Anglo-Saxon art which were created in the 6th through 8th centuries.
Let me also put a good word in for Bain's survey of Hiberno/Anglo-Saxon calligraphy as well, in which he assembles many of the fanciful letter forms for which this form of writing is known.
I do own all of Aidan Meehan's books (and also recommend them), but if you can only afford to buy one book, buy this one. Then, as you can afford others, branch out into Meehan (and even Bain's son, Iain has written a book on knotwork!), and begin purchasing surveys of the Books of Kells and Lindisfarne so that you can study from the true masters.
Enjoy!
31 of 33 people found the following review helpful.
Beginning to Advanced Celtic Pattern Construction
By hamsterdance
Not too long ago I got the idea for a series of paintings with a celtic-medieval themed look. This book was one of the two books on celtic designs I bought. The type of patterns shown are very diverse and range from simple borders, to spirals, zoomorphs (animal-designs), calligraphy to examination of designs from Lindisfarne and the Book of Kells. It is also the most extensive of any of the books on this subject that I've seen. The only drawback is that the method for constructing these designs is not easy. As one earlier reviewer stated, the main method is to set up a grid pattern, draw out every line then erase the ones not needed. There are other books with simpler, better step-by-step details for constructing celtic designs. However, no other single book covers such a wide range as this one. It also covers a lot of complex designs and shows how to recreate them that no other celtic pattern books demonstrate. Quite a lot of the history of these designs is covered too. For anyone who can only afford one book on this subject this one will be all they'll ever need.
18 of 20 people found the following review helpful.
Good intro to Celtic Art
By R. Clampitt
I can't add much more than the last previewer. But it is a good introduction to Celtic Art and patterns, plus he covers its history and shows you how to even difficult patterns. Drawing Celtic Artwork is not easy, a gifted artist and craftsman Bain makes it look easy but its not. Howeverf if you practice the basic patterns you can get pretty good at it in a reasonable period of time. I have several of Aidan Meehan's books and this one is by far the best for beginners imho. Use Meehans works when you can replicate a good many of the patterns found here.
It is also a fine resource for the more elaborate patterns which are not covered very well in other works. Many of these patterns can be transferred to leather, clay etc, you name it.
Overall if you only get one book on Celtic Art get this one and with a bit of practice your effort will be rewarded.
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